《蔡公衡画谱》序
来源:画友投稿整理
揭阳蔡君公衡,钟榕江之灵秀,禀冰雪之聪明。幼好丹青,挥毫傅彩,写生象物,咄咄逼真。年弱冠,负笈广州,毕业南中美术学院及岭南艺苑,山水承高刺父、黎葛民两名师之薪傅;花鸟虫兽,则得赵少昂,赵崇正两先生之指授,厥艺益进。加以专心一志,淬厉研磨,不特深探六法、六要、八格、十门、十三科、十二忌之奥,复将中西画法,冶于一炉,自作一格,独成一家。近二十年间,于香港、星、马、菲律宾等地,迭开个人画展,获当代名人学者如钱穆、苏二庵、管震民、蔡寰青诸先生之好评。于是价重鸡林,誉驰中外。乃频年以来,倦游侨港,埋首作画。且为嘉惠艺林,撰成画谱。一则以供欣赏,一则以资楷模。昔宋郭若虚评南齐谢赫所云:一曰气韵生动,二曰骨法用笔,三曰应物象形,四曰随类傅彩,五曰经营位置,六曰传模移写之六法,为至精之论,万古不移。但骨法用笔以下五法可学,而其气韵生动,固不可以巧密得,复不可以岁月到,默契神会,不知然而然之语,尤为古今画冢,奉为科律。夫画与文,道虽殊而理则一。清儒章学诚曰:学文之事,可授者规矩方圆,其不可授受者,心营意造。足与郭氏之言,互相发明。盖画之气韵,亦出于心营意造之中也。
兹者,蔡君画谱,系花鸟虫鱼梅兰竹菊,内容别类分门,丰富细密,示人以规矩方圆。余以国画,可表达我国民族性之特长,为世界人士所珍视。诚我国之琅宝,重要之国粹。而蔡君画谱,亦足为后学之津梁。行将付刊面世,爰不揣謭陋而为之序。
一九七〇年五月一日蒋醉六序于九龙之钻石山房
Foryearsthepublichasbeenwaitingforatrulyfinehandbookofdrawingandpaintingdesignedmainlyforbeginners-studentsorleisure-timepainters-interestedinChinesePainting.SuchabookisMr.ChoyKung-heng’s.
LESSONSINCHINESEPAINTING
Specificsubjectsdetailedincludeflowers,birds,insects,fishorpoultryandtheseareillustratedbyfineprintscarefullyselectedfromhisnotinconsiderablenumberofnotablepaintings.Eightmonthsofenthusiasticdesigningwiththestudentinmindhaveproducedthispracticalbookwithitsinterestingvarietyofcolourandsubject.
ABOUTTHEARTIST-AUTHOR
Atanearlyage,Mr.ChoyKung-heng,famedSouth-eastAsianartist,nowinhisforties,studiedattheLingNamSchoolofPaintingandwithKaoChien-fuandlaterwithPhao-an.DevelopinghisowntechniquehealsoexploredtheartoftheSung(960-1276)andYuanmastersanddidnumeroussketchesofflowersandbirdsforresearchstudies.
In1947becauseofpoliticalchanges,heleftSouthChinaforHongKongwhereheassiduouslystudiedvariouspaintingtechniquesuntil1959,designingandexecutinghundredsofpaintingsmainlyofflowers,birdsandlandscapes,includingtraditionalfiguresofmenandwomen.
BecomingdissatisfiedwithfollowingtheSungandYuanmastersexclusively,hewentoutintotheparks,thehillsandmanyplaces,carefullystudiedvariousbirdsandflowersandhetriedanddevelopedamorerealisticnewstyle.Atthisstage,hedesignedsomeofhisbestpicturesincoloursorinink,executedeitherwithincredibledelicacyor,bycontrast,rapidlywithbolderbrushstrokes.Twoexamplesofhismasterlytechniqueare“HundredButterflies”and“SeasonalFlowers”.
Since1960,hehasheldnumerouspersonalexhibitionsofhisChinesePaintingsinHongKong,Macau,Philippines,Thailand,MalaysiaandSingapore.Subjectsofthesevariedgreatly—fromatigertotheVirginMary.Exhibitionrewardswerebothlucrativeandinspirational.
IhavehadtheprivilegetoenjoyMrChoy’spaintingsandnowconfidentlyrecommendhisnewbooktoallinterestedinthisfineart.