司徒乃钟画集—序言
来源:画友投稿整理
在国画岭南画派中坚人才中,多少年来,每易想到司徒乃钟,一位有守有为之代表性人物。司徒乃钟先生近应南京博物院举办个展,行将出版画集,遥嘱我为序言,在此八月溽暑炎蒸中,却真令我精神为之一振。多年过从,既已欣其《岭南春风红艳图》的木棉高树之壮,更曾于其所绘老竹孙笋,及画题“写生终竟胜盲从”既浅白亦深刻之认知题句中,感其治学之诚。尤有进者,乃钟贤盟,事父至孝,绘事更祖武于其尊人。可谓发扬潜德,以至光大宗风。于今浊世艺林中,一泓清流,洵为难得。
我曾得接对其尊人苍城司徒奇道丈,于当年港澳之间,早仰前辈之人格画风。而且在岭表诸贤中,尤能以人文古意,及西学写生写实二者兼资,俱树楷模。乃钟绘事进境,克能一日千里,植基于家学者亦至多,司徒奇道丈与赵少昂老师交厚,绘事理念亦同,既属通家,乃钟除其所受家学之外,还得他山之助。曾由尊人引领,正式拜从赵少昂老师学画。昂师独特之风范,自然对乃钟笔墨经营,绘事发展,亦有一定程度之影响。对我而言,此真是一段难能可贵同门之谊。平日偶聆追述庭训种切,尤有足以令人向佩动容,是知乃钟贤盟之克绍家风是有守,而其奋发创作,是真真大有为也。
犹忆昔日画坛守旧之辈,有讥岭南画派为野狐襌者,即谓不中规矩,不能全守古法;然而百年之间,创始者高剑父、高奇峰及陈树人三家,所倡导之方向,在于融古以铸今,既能以古人合,亦能与古人离。三家各自戛戛独造,和而不同,故终成划时代之宗师。近数十年间,赵少昂师,以及司徒奇、关山月、黎雄才与杨善深诸位前贤,亦皆有守有为,继武前修,而自出蹊径,各有发扬。事实上国画百年以来,万壑争流,与上述守旧辈之讥言,已相去不知几千万里。今日复有时辈讽言岭南派诸家之不够新鲜者,奈何古意今情,莫衷一是,取舍适应,投合为难。此一时尚之偌大课题,亦惟以小题大作,不屑一顾目之。艺术家若能以一己之诚明,创造时风,自我作古;更不为西方一时画廊摇摆不定之尚好所惑。不作风前之弱草。则有守者斯有为;有识者亦斯有胆。能臻此境界,则无为有为,无法有法,终抵大成。乃钟贤盟方当盛年,已见独造如此,他日更不可量,是知苍城道丈之家学,继武有人,岭南画学宗风,亦必巍然屹立,重开新页于廿一世纪矣。
欧豪年
二零零五年九月
PrefaceAmongtheelitesofLingnanSchoolofChinesepaintingintheseyears,IalwaysthinkofNigelSzeto,therepresentativefigurethatcanbothpreserveanddevelophisartfieldatthesametime. MrSzetowillholdhissoloexhibitioninNanjingMuseumandpublishedhisartalbum.Whenheinvitedmetowriteapreface,IwasexcitedinthisburningheatofAugust. Forseveralyears,IhavesavoredthespectacularofKapoktreeinhiswork“TheSpringRedsinLingnan”,andalsodeeplyimpressedbyhisdevotiontohispursuitofknowledgebyhisworkofoldbambooandyoungshootsaswellasthesimplebutprofoundinscriptionsofthispieceofwork“Portrayingisbetterthancopyingeventually”. Moreover,Nigelisnotonlyvirtuouslyfilial;hispaintingskillisalsoinsuccessiontohisfather. Itcanbesaidthatheisenhancingandglorifyinghisprogenitors. Heisjustlikeascarcestreamofpurewateramidtheturbidartcircle.
IntheearlyyearswhenIwasinHongKongandMacau,IhadalreadyadmiredNigel’sfather,SzetoKei(Cang-Cheng),forhismoralintegrityandhispaintingstyle. AmongthemastersofLingnanSchool,heistheonewhoestablishesagoodmodelforcombiningChinesehumanityandancientstylewithWesternrealisticsketching. ThereasonthatNigelcanachievesuchgreatstrideofpaintingskillatatremendouspaceisgreatlyduetohisfamily’sinfluence. HisfatherSzetoKeiisbefriendingwithmyteacher,ChaoShao-anwhoalsosharedasimilarapproachinart,thereforeNigelnotonlylearntfromhisfamily,butalsobenefitedfromother’sguidance.Underhisfather’srecommendation,NigelhadbecomeapupilofMasterChao. Chao’suniquespiritisdefinitelyinfluencingNigel’spaintingtechniqueandartscareer. Forme,itisreallyaremarkablefellowship. Afteroccasionallyheardoftheirreminisce,Iamalreadyimpressedandaspiredbythoselecturingandadmonitorytalks. IthereforeunderstandthatNigel’sattachmentandfaithfulnesstowardshisfamilyisakindofpreservationofartstyle;whereashisinnovativeattemptsinartisthemainreasonforhisaccomplishmenttoday.
InthepasttherewereconservativesintheartfieldwhomockedLingnanSchoolasgibberishandscolditasviolationandmisbehaviorstowardstheoldrulesandnorms. However,intherecenthundredyears,thethreefoundersoftheLingnanSchool,GaoJian-fu,GaoQi-fengandChenShu-ren,wereadvocatinganartdirectionthatmergedclassicwithmodernstylesothattheartistcanbefreeinattachingtoordetachingfromtheancientmasters. Thoughthesethreemastersworkedindependently,theywereonthesamedirectionwithdifferentstyles,andthenbecameepochalmastersfinally. Duringthesefewdecades,masterslikeChaoShao-an,CuanShan-yue,LiXiong-laiandYangShan-shenwerebothpreservingandexpandingthestyle;bothinheritingandinnovatingthisschoolofthought. Theyhavedevelopedtheirownpathsandenhancedtheirideasrespectively. Infact,therearevariousstylesappearedinChinesepaintingfieldinrecenthundredyears,andtheartsceneshavebeentotallydifferentwhenthereareimitatingfromtheoldmastersthatIhavementionedabove. EventhoughnowadaystherearestillpeoplederidingLingnanSchoolasnotinnovativeenough;itishardtorapportallopinionsbutneedcompromisingwhenitcomestodiscussionofclassicandmodernartcriticism. Itendtoignoresuchtrivialargumentsandendlessdisputes. Ifanartistcanbefaithfultohimself,daretocreateanuniquestyleandproducehisownmasterpieces,standsfirmlywithoutbewilderedbytheswingingWesternartclimate,andrejectsbeingasaweakgrassthatbendswiththewind,thenthisartistasanartpreservercanbecapabletoaccomplishmentandbecomeamanwithinsightandcourage. Whenamanhadreachedsuchstateofmind,hewillbeamasterwhateverheattemptstoachieveornotandtofollowanyregulationsornot. Nigelhasalreadyreachedsuchattainmentinhisprimeoflife;itcanbepredictedthathissuccesswillbeimmeasurableinthefuture. WhenIknowthatMasterCang-Chenghadgotsuchqualifiedsuccessor,LingnanSchool’sstylewillalsostandtoweringlyandopenanewpageinthetwentyfirstcentury!AuHo-nien