给徐洁写这篇短文时，窗外狂风大作，当然风雨交加。完全没前戏，雨点如重锤击鼓。这还可以解释，不便理解的诡异是以人类文明名义创制的空调等等往外面的世界喷张着滚滚热浪。这时候所谓的当代艺术家何为?
好在徐洁早早调整出了对应这个荒唐时代的书写样式:过去的高山峻岭常常被深情系之回眸一望，但傅山王铎们都不再能为自己的内心纠缠解索，只好用舞剑手把线条独立出来甚至积点扩大成面，书和画混淆了分科因为二度空间不方便她横行霸道(还有什么表述比这词汇更贴切?)。只有艺术可以让她恣意放达为什么不全身心投入应和?包括色彩分配的非理性恰恰促成了东西方文化特别是视觉文化的融汇贯通。又因为多年伏案摹古积蓄过多内存挤迫出的本土纯粹才无可遏制的产生了形式魅惑。端的一个“国际范“就结实成立。
雨总是要停下，做坏了的环境只对艺术品有价值转换的可能。活在大量问题中的艺术家有福了。徐洁，她的水墨表达正漫游出她所处身的城市、所在的季节甚至过去有关女性或艺术的一些定义。
2014年7月31日
FeelingsonReadingCalligraphy
PaoChuanjiang
WhenXuJiecompletedthisessay,thefiercegazeisblow,andIt'scertainlyrainingandblowinghard,alltheseareinterpretable,theweirdnessisnotunderstandableisthattheworldoutsidetheairconditioncreatedinthenameofthehumancultivationissprayingsurginghotwave.Whatcanmodernartistcanbecalled?
Fortunately,XuJiepreviouslyadjustedthewritingpatterncorrespondingtothatabsurdtimes:Loftymountainsandsteephillswereaffectivelytiedandglancedbylookingbackinthepast,butFuShan,WangDuoandothercalligraphersfailedtountiefortheentanglementintheirinnerminds,andtheyhadtomakethelinesindependentevenexpandedthelinesintothesidebywavingtheswordwiththehands,thehandwritingandtheplantingconfusedthedivision,fordimensionalspaceisnotinconvenientforhertobehaveviolentlyandcrazily(isthereisanywordbeingclosertothesewords?).Onlytheartiscapableofhavehimeaseandunrestrainedsomuch.Whynottobeimmersedandechoedwithfullheartandmind?Thenon-rationalityincludingthedistributionofthecolorpreciselycausestheintegrationandconnectionoforientalandwesterncultures(especiallythevisionculture).Furthermore,decadesofancientstyleimitationbytheoperationoverthetablesavedexcessiveinternalstorage,nativepuritysqueezedoutunlimitedlygeneratedtheenchantmentoftheform.Ashaped“internationalmodel”issolidlysetup.
Therainhastostop,andbrokenenvironmentonlypossiblyconvertsthevalueofartworks.Theartistsingreattroublearefortunate.XuJie,herChineseinkpaintingexpressionisroamingoutfromthecityandtheseasonwheresheisstayingandevensomedefinitionsregardingthefemaleortheart.
July31,2014