这是一个宁静的世界，这是一个灵动的世界。动静之间，画家的感知和认识，驱动着世界的呈现。
Thisispeacefulworld.Thisisacleverworld.Betweenstaticanddynamic,anartist'sperceptionandrecognitiondrivesthepresenceoftheworld.
心灵穿越雨林，看似叙述着雨林又游离于雨林之外，祁璐《穿越》系列四幅作品对雨林作出一次新的表达。是雨林引发了感触，还是有一种表达必须经由雨林，观者可以有自己的选择。所见与所思，所画与所见，相遇，交汇，祁璐的《穿越》打开的不只是雨林绘画的新维度。
Themindgoesthroughtherainforest.Itseemstodescribetherainforestbutnotfocusonrainforest.QiLu'sTime-TravelSeriesconsistsoffourworks,whichisanewexpressionofrainforest,triggeredbyforests.Anotherexpressionisinterpretedbyvisitorsthemselves.Visualandthoughts,paintingandvisualmeetandconverge.QiLu'sTime-TravelSeriesopensanewdimensionofrainforestpainting.
《穿越》让雨林游动起来，让情绪涌动起来，其中的动力，是对光与气的全新把握和表现。
Time-Travelmovestherainforestandtriggersemotions,whichisdrivenbythenewcomprehensionandperformanceoflightandair.
《穿越》之一，这是一次驻足凝望。雷雨将至，潮湿的空气几乎凝固，光线在枝干、果实、叶和花之间错落，高光与暗部对比强烈，宁静与力量之间，又相互连接，每一面的呈现都呼应着另一面。凝视，是力量在宁静中穿越。
Time-TravelIreflectsone'sstopandgaze.Whentherainstormapproaches,thehumidairalmostcoagulatewithlightscatteringamongbranches,fruits,leavesandflowers.Astrongcontrastoccursbetweenlightanddarkness.Serenityandstrengtharemutuallyconnected.Thepresenceofonesideechoesotherside.Gazingisthepowertravelsintheserenity.
《穿越》之二，雨后的水汽洇透纸背，一只小鸟鸣叫着阳光，阳光落在空白处，泛光留给叶、花和小鸟，色调的冷暖对比隐喻着晴雨的交替。纵向的空间翻折过来，层次的关系转变成面与面的关系，让看不见的想象可以看见，演示了一次三维空间向二维平面的穿越。没有想象，就没有穿越。
Time-TravelIIdepictsthevaporgetsthroughpaperandabirdischirpingunderthesunshinewhichislocatedintheblankareaandreflectingthelighttoleaves,flowersandbirds.Thecontrastofwarmandcoldcolorsimpliesthealternatingofsunnyandrainydays.Thefoldingofverticalspacereflectstherelationshipbetweensurfacestoexposetheinvisiblescenes.Itshowsthetravelfromthree-dimensionalspacetothetwo-dimensionalplane.Withoutimagination,thereisnotravel.
《穿越》之三，小鸟正在飞来，追逐漂浮着阳光的气流，纤细的花瓣摇曳出风的感觉，大片的叶面稳住了气流的扰动。摇动，飘动，舞动，飞动，一切都在动，动得却毫不慌张。动得大胆，才有稳的大气。
Time-TravelIIIdescribesabirdistofly,chasingtheairfloatingwiththesunshine.Theslimpetalsproducethefeelingofwindswayingwithlargeleavesstabilizingtheturbulenceoftheair.Shaking,waving,dancing,flying,everythingismovingcalmlywithoutpanic.Aboldmoveleadstostableatmospheres.
《穿越》之四，鸟儿将去，飞向无尽的天空，光线更多地落入林间，气流开始稳定，交给光与气的空间更加广阔，主体愈加突出。这是一幅极具扩张力的画面，舒展，舒展，让视线忍不住要冲出画面，奔向鸟儿飞去的方向。浓重的蓝和抢眼的黄，让目光在收放之间体验生命隐含于不确定之中的活力。
Time-TravelIVdepictsbirdsareflyingawaytotheboundlessskywheremorelightisspreadtoforests.Theairbeginsstabilizingwhichleadstobroaderspaceforlightandair,betterhighlightingthesubjects.Thisisapicturewithgreatexpansion,stretchingfurther.People'svisionwillbreakthroughthepicture,stretchingtothedirectionthatbirdsareflyingto.Darkclueandshinyyellowmakespeopleexperiencethevitalityimpliedintheuncertaintiesduringtheprocessofappreciation.
穿越让雨林游动起来。水汽缭绕，光从枝叶间跌落，与缭绕的水汽相遇，交汇，雨林中物的现象，经由独到的想象和手笔，成为祁璐用以贯穿《穿越》系列的艺术新语汇。光与气，像永不停下的画笔，于空白处确立整体空间，于飘渺间书写灵魂的安稳。飞离的刹那，仍在穿越之中。
Time-travelmovestherainforest.Vaporshrouding,lightdropsdownfromleaves,meetingandconvergingwithfillingvapors.TheobjectsintherainforesthasbecomethenewartistictermofQiLu'sTime-Travelwithuniqueimaginationandpaintingskills.Lightandvapordeterminetheoverallspaceintheblankareaasanon-stoppaintingbrushwhichshowsthestabilityofsouls.Atthemomentofflyingaway,theyareexperiencingtimetravelaswell.芜盐WuYn